The Recording Academy recently announced new changes to the Grammys judging process. The rules were made at the Recording Academy’s semiannual Board of Trustees meeting held in May according to their website.
Among the changes made, were the renaming of the categories; Best Urban Contemporary Album renamed Best Progressive R&B Album. To enter the Best New Artist category the amount of recordings required during the year is now expanded and they moved the “urban” label to latin categories.
According to their website ;
“Latin Pop Album has been renamed Best Latin Pop Or Urban Album, and Latin Rock, Urban Or Alternative Album has been renamed Best Latin Rock Or Alternative Album…to migrate the genres of Latin urban and represent the current state and prominent representation in the Latin urban genres. ”
The Grammys have been at odds with the music community and their leadership due to their treatment of the black music categories in the past.
With criticisms coming from their former CEO Deborah Dugan and Sean “Diddy” Combs :
“The Grammys never really respected black people ”
as he collected a Salute to Industry Icon award.
Black Americans are fighting for their respect in the music industry and these latest changes may be appreciated as symbols in the right direction.
However, there were no such announcements or amendments that would directly affect the Reggae and Dancehall genres.
Additionally, The BET awards happened in June and there were no representation of dancehall- reggae.
Dancehall and reggae artists have been complaining for years that the genres do not get it’s just due on the international market and music award scene.
The Guardian newspaper, reporting on an interview with Sean Paul, said that the use of dancehall in pop music is not viewed by him as paying homage, but as exploitation.
He later commented on The Breakfast Club and on Hot 97 that he has collaborated with many pop acts, but he would like to see more credit given when dancehall is used by mainstream artists. Mr Vegas has been more outspoken when he said on his platform that “Drake is a fake” for using dancehall on his album without giving credit.
The genre on a whole struggles to move singles and album units whenever the Jamaicans sing reggae or dancehall but whenever pop acts dabble in the genre, they not only move units but the press calls their music something other than dancehall.
Tropical house was the name many North American newspapers were using to describe dancehall when it is done by mainstream North American performers.
A Wall Street Journal article described how Justin Bieber’s What Do You Mean was “pioneering the Caribbean, beach-party vibe of tropical house in the mainstream ”.
The use of the words “pioneer”, “beach-party vibe” and “tropical house” was a dismissive of dancehall and reggae as the inspiration and genre being sung by Justin.
In saying Justin Bieber pioneered the sound that is Reggae-dancehall and calling it anything other than what it is disregards the barriers broken by Shabba Ranks, Maxi Priest, Shaggy, Beenie Man, Elephant Man, Sean Paul, Patra, Ce’Cile, and many others in the past 30 years.
The music has proven many times, that it is capable of reaching number the top of the popular Billboard charts and it is as electrifying onstage.
Recently Beenie man and Bounty Killer’s Verzuz battle was hailed by Swizz Beats and many other industry leaders as the best online performance in the award wining online series. This didn’t come as a surprise for fans of the culture as this is the standard set by these artists over the years.
As was the case with hip hop, dancehall artists and practitioners in the genre must put the Grammys and the North American music industry on notice that it is time for more respect to be given to the genre. They must also have the faith and flexibility to invest, collaborate and pull on every resource to get the desired outcome.
The people who live abroad with an affinity for dancehall and have an interest in dancehall’s development must place themselves strategically in the record labels, radio stations, television stations, and concert venues to give their professional insight and support.
When Hip Hop is done by anyone all over the word it is called Hip Hop, so when dancehall is done anywhere in the world it should be called Dancehall. They will call the music dancehall and, more importantly, “Jamaican dancehall”.
Jamaican songs are usually played on the urban stations and only one or two songs selected per year for airplay circulation.
Independent artistes cannot compete with the budgets and label connections required to break a record, but Jamaicans have the energy, Jamaicans have the art, Jamaicans have the spirit of the people, and we have the cultural capital. That is power. This is Dancehall.
With the recent expansion of Apple Music, AudioMack and Youtube into Jamaica, the Caribbean and Africa, fans now have more options to support their favorite dancehall artists.
The digital music marketplace in Jamaica and the Caribbean can drive interest towards dancehall and reggae music.
The genre’s home country needs to do some homework. Buju Banton said at his Album listening recently that: “We wonder today why our music has not been able to penetrate the world and its environment like it should..we cannot blame anyone but ourselves”.
That profound statement of responsibility is the beginning of the change. Everyone must take responsibility in order to progress. The next step is to take progressive action, experiment and adjust.
There are states in America that brand themselves Live music capitals because of their well-supported annual festivals. Jamaica, needs a Ministry Of Music and a Music Commission to create new industry links between the music and the tourism sectors.
Damian Marley told me on my podcast, The Top Form Podcast that he believes dancehall and reggae are the same genre.
I hear distinct differences in the genre in terms of subject matter and tempo. Some artists believe dancehall is the space and reggae is the music and “fast reggae” is known as dancehall.
The distinctions may even be more subtle but part of the expansion and growth of both sounds will require separating them and opening up new categories at the Grammys for example so more awards may be given each year.
The buzz of the Jamaican culture has been fuel for others like Drake and Justin Beiber to climb the charts, so why not get some value here before asking someone to help grow the culture.
The coded language and ability to translate complex issues into songs, the cuisine, are created in a cultural factory in Jamaica. A factory, being a place where products are manufactured by people, but those people are not directly benefiting because it is undervalued in the marketplace.
The Business of Dancehall
With research, proper consumer measurements with chart shows, artists development, and targeted sales practices, credible and creative dancehall artists can partake extract, fuse, use, and benefit from the genre.
If you are an entrepreneur doing dancehall music, this is the time to get a great artist and make great music. With Apple music,Tidal and YouTube all your music can be consumed for less than US$10 per month.
The industry is growing rapidly because of streaming. In 2014, the music industry digital revenue was US$6.85 billion, with only 16 countries having integrated streaming into their singles charts. Last year the music business made US$24 billion and according to Lyor Cohen, Ceo of YouTube Music,
“streaming will increase.”
I think it is the perfect time to get into the business in anticipation of when the penetration rate becomes 80 percent, as the demand increases more streaming platforms will become available in Jamaica, the Caribbean, Latin America and Africa where many Reggae Dancehall fans are located outside of the USA.
The music makers, the entrepreneurs, the producers, and the artists in the Caribbean should continue to make the music they want to make that is culturally significant, and continue to value themselves while adapting to international standards. This is how the culture and music will flourish.
Donovan Watkis (JR)